How to order a setlist so it flows: the energy arc
Why a flat set tires a room, the basic rise-dip-rise shape, and how to rate your songs 1 to 5. Includes a worked 12-song running order.
The difference between a set that drags and a set that lifts a room is almost never the songs. It's the order. Here are the moves that build a night with real flow, from a musician who plays them.
Why a flat set tires a room, the basic rise-dip-rise shape, and how to rate your songs 1 to 5. Includes a worked 12-song running order.
The case against opening on your biggest hit, what a good opener does, how to choose a closer, and how to use the encore. With a two-way worked example.
Song counts by slot, why you always overrun, where the long song goes, and a 60-minute bar set budgeted out loud, gaps and all.
An encore is not mandatory. When to do one, how many by set length, how long to run, and why you should still prepare one either way.
One searchable song bank for a 150-song repertoire: tag songs the way requests arrive, and reach any of them in ninety seconds mid-gig.